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People having sex in a limo

People having sex in a limo

Phil-like TV psychologist John Cusack ; a limo driver and aspiring screenwriter Pattinson ; a very troubled child star Evan Bird ; and many more. The film is a companion piece of sorts to his other Pattinson collaboration Cosmopolis, another scathing critique of capitalist excess.

In a candid conversation, Cronenberg opened up about the surrealness of Hollywood, his new muse Robert Pattinson, sex on film, and much more.

You and Robert Pattinson have developed an interesting creative partnership. Totally professional, really accessible, and funny. And a terrific actor. Well, no, of course not. Not a lot of movies and series have that kind of following. And you can be sure that Rob was aware of all those things. He was very hyper-aware of all those things surrounding those movies. Your film does have a fun sex scene between Julianne Moore and Robert Pattinson in a limo. Cheat Sheet A speedy, smart summary of all the news you need to know and nothing you don't.

You are now subscribed to the Daily Digest and Cheat Sheet. We will not share your email with anyone for any reason. That was fun to shoot!

In this case it was a real limo, but in Cosmopolis it was a limo-set. Well Robert seems to have the limo sex thing down, now.

It really just requires the characters to be good actors. Have you seen Fifty Shades of Gray? Dead Ringers is pretty good! Where does your fascination with the human body come from? What are those philosophical and political reasons?

It has to do with my understanding of human existence, which is that the body is the primary fact of human existence. It has to do with my denial of an afterlife or any spirit that is aside from the body. We are our bodies. And in Hollywood—and American culture in general—there does seem to be quite a bit of shame associated with the human body.

You realize why actors are obsessed with the clothes they put on their body, or their makeup, or the way their hair is. It might be the intimacy. TV has the advantage of that intimacy and privacy. And how aroused are you? And does that make you uncomfortable? But your films have always explored sex in an interesting way. I was trying to think of the last time I saw two film stars engaged in a sexy sex scene, and the last one I could think of was A History of Violence.

But getting to that point is difficult. You seem to be preoccupied with capitalism and the ever-increasing wealth gap in this country with both Cosmopolis and now Maps to the Stars serving as pretty damning critiques. Bruce wrote this 20 years ago, and then I got involved 10 years ago and we were developing it together. But the reverberations were probably there under the surface, ready to become an earthquake sooner or later.

But it goes further back. In a way, Maps is like a Greek tragedy. It has a lot to do with human values, or non-values—greed, ambition, and desperation. But when you get into the specifics, yes, this story could have happened in Wall Street, or Silicon Valley, or in Detroit with the auto industry. What have just been your most surreal Hollywood experiences? You realize how much power the execs wield. He wanted to cast Christopher Walken as Christ, and the studio he was working with, who were up to that point OK with the idea, were really horrified by the idea of Christopher Walken as Christ.

It of course ended up being taken somewhere else, and starred Willem Dafoe as Christ. We could have Willem in it as well. But they really thought that that was a version of respect.

Those were pretty massive projects. The biggest one would have been The Matarese Circle. That would have been huge. But I was willing to try it out. But it fell through. Oh, I have no idea.

It was a second conversation. I think what they wanted was unbridled enthusiasm. I was serious about it.

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Hummer Limousine med Strip



People having sex in a limo

Phil-like TV psychologist John Cusack ; a limo driver and aspiring screenwriter Pattinson ; a very troubled child star Evan Bird ; and many more.

The film is a companion piece of sorts to his other Pattinson collaboration Cosmopolis, another scathing critique of capitalist excess. In a candid conversation, Cronenberg opened up about the surrealness of Hollywood, his new muse Robert Pattinson, sex on film, and much more.

You and Robert Pattinson have developed an interesting creative partnership. Totally professional, really accessible, and funny. And a terrific actor. Well, no, of course not. Not a lot of movies and series have that kind of following. And you can be sure that Rob was aware of all those things.

He was very hyper-aware of all those things surrounding those movies. Your film does have a fun sex scene between Julianne Moore and Robert Pattinson in a limo.

Cheat Sheet A speedy, smart summary of all the news you need to know and nothing you don't. You are now subscribed to the Daily Digest and Cheat Sheet. We will not share your email with anyone for any reason. That was fun to shoot! In this case it was a real limo, but in Cosmopolis it was a limo-set. Well Robert seems to have the limo sex thing down, now. It really just requires the characters to be good actors. Have you seen Fifty Shades of Gray? Dead Ringers is pretty good!

Where does your fascination with the human body come from? What are those philosophical and political reasons? It has to do with my understanding of human existence, which is that the body is the primary fact of human existence. It has to do with my denial of an afterlife or any spirit that is aside from the body. We are our bodies. And in Hollywood—and American culture in general—there does seem to be quite a bit of shame associated with the human body.

You realize why actors are obsessed with the clothes they put on their body, or their makeup, or the way their hair is. It might be the intimacy. TV has the advantage of that intimacy and privacy.

And how aroused are you? And does that make you uncomfortable? But your films have always explored sex in an interesting way. I was trying to think of the last time I saw two film stars engaged in a sexy sex scene, and the last one I could think of was A History of Violence.

But getting to that point is difficult. You seem to be preoccupied with capitalism and the ever-increasing wealth gap in this country with both Cosmopolis and now Maps to the Stars serving as pretty damning critiques. Bruce wrote this 20 years ago, and then I got involved 10 years ago and we were developing it together. But the reverberations were probably there under the surface, ready to become an earthquake sooner or later.

But it goes further back. In a way, Maps is like a Greek tragedy. It has a lot to do with human values, or non-values—greed, ambition, and desperation. But when you get into the specifics, yes, this story could have happened in Wall Street, or Silicon Valley, or in Detroit with the auto industry. What have just been your most surreal Hollywood experiences? You realize how much power the execs wield.

He wanted to cast Christopher Walken as Christ, and the studio he was working with, who were up to that point OK with the idea, were really horrified by the idea of Christopher Walken as Christ.

It of course ended up being taken somewhere else, and starred Willem Dafoe as Christ. We could have Willem in it as well. But they really thought that that was a version of respect. Those were pretty massive projects. The biggest one would have been The Matarese Circle. That would have been huge. But I was willing to try it out.

But it fell through. Oh, I have no idea. It was a second conversation. I think what they wanted was unbridled enthusiasm. I was serious about it.

People having sex in a limo

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