Marina abramovic sex and the city. This Instagram account is dedicated to the unforgettable fashions of "Sex and the City".



Marina abramovic sex and the city

Marina abramovic sex and the city

Abramovic spoke to Karen Rosenberg. How did you re-create the works? You had to rely on photos, right? I felt like an archaeologist, trying to figure out from the ruins what really happened. In the original, he masturbated for hours while hidden beneath a ramp at the Sonnabend Gallery.

I have a lot of respect for this piece. He performed it for nine days, eight hours a day. I went for the idea of producing moisture and heat.

I concentrated on the sounds, and on the idea that I had to have orgasms, as proof of my work. And so I did. The problem for me, with this piece, was the absence of public gaze: But I heard that people had a great time; it was like a big party up there!

I ended with nine orgasms. How would your work be different if a man performed it? Is it a good art piece or a bad art piece? Do you give people permission to redo your own work? You have to see the person, see what is his capacity, what is his experience. Tell me about the new work, Balkan Erotic Epic. After that, I just wanted to do something different.

In Balkan culture, the sexual organs, male and female, were used as tools for taking evil away, connecting with the forces of nature. I found all these different rituals, going back to the sixteenth century, and staged them in a film. December 9 through January

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James Franco + Marina Abramović



Marina abramovic sex and the city

Abramovic spoke to Karen Rosenberg. How did you re-create the works? You had to rely on photos, right?

I felt like an archaeologist, trying to figure out from the ruins what really happened. In the original, he masturbated for hours while hidden beneath a ramp at the Sonnabend Gallery. I have a lot of respect for this piece. He performed it for nine days, eight hours a day. I went for the idea of producing moisture and heat. I concentrated on the sounds, and on the idea that I had to have orgasms, as proof of my work. And so I did. The problem for me, with this piece, was the absence of public gaze: But I heard that people had a great time; it was like a big party up there!

I ended with nine orgasms. How would your work be different if a man performed it? Is it a good art piece or a bad art piece? Do you give people permission to redo your own work? You have to see the person, see what is his capacity, what is his experience. Tell me about the new work, Balkan Erotic Epic. After that, I just wanted to do something different. In Balkan culture, the sexual organs, male and female, were used as tools for taking evil away, connecting with the forces of nature.

I found all these different rituals, going back to the sixteenth century, and staged them in a film. December 9 through January

Marina abramovic sex and the city

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3 Comments

  1. On seven consecutive nights for seven hours she recreated the works of five artists first performed in the '60s and '70s, in addition to re-performing her own Lips of Thomas and introducing a new performance on the last night. The effect made the woman look as though she were floating, although a nearby ladder indicated how she got up and down. How did you re-create the works?

  2. You have to see the person, see what is his capacity, what is his experience. Did Abramovic give permission to the show to reference her piece like that? Tell me about the new work, Balkan Erotic Epic.

  3. In Part I, which had a duration of 50 minutes, she ingested a medication she describes as 'given to patients who suffer from catatonia , to force them to change the positions of their bodies.

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